One of Spain's most internationally celebrated voices in contemporary fiction
Una de las voces más celebradas internacionalmente de la narrativa española contemporánea
"The most important voice in contemporary literature in Spanish."
— Daniel Kehlmann
Eugenia Rico is one of Spain's most internationally celebrated novelists — a writer whose work has crossed into German and Italian, and whose fiction has been praised by El País, Der Spiegel, and Daniel Kehlmann as defining the best of contemporary Spanish literature.
She was the first Spanish novelist invited to the International Writing Program at the University of Iowa — the program that shaped Raymond Carver, Flannery O'Connor, and nearly every major American writer of the postwar era. Her short story Waste, published in California, was a finalist for the Pushcart Prize.
Born in Oviedo, Asturias, she studied Law and International Relations in Oviedo, Toulouse and Brussels, specialising in human rights, before abandoning everything for literature. She has taught Creative Writing, co-authored the official creative writing manual of the Instituto Cervantes, and written for El País, El Mundo, Revista de Occidente, La Nouvelle Revue Française, and Der Spiegel.
Winner of the Venice Literary Festival Prize alongside Ian McEwan. First Spanish novelist invited to the Iowa Writers Workshop.
In Italy she is recognised as the creator of Magical Existentialism. At the FIL Guadalajara she was defined as a representative of Dirty Magic Realism. Critics have compared her prose to that of Octavio Paz and Elias Canetti.
Her new novel I Have to Kill Daddy is forthcoming.
Eugenia Rico es una de las novelistas españolas más celebradas internacionalmente — una escritora cuya obra ha sido traducida al alemán, italiano e inglés, y cuya ficción ha sido elogiada por El País, Der Spiegel y Daniel Kehlmann como lo mejor de la literatura española contemporánea.
Fue la primera novelista española invitada al International Writing Program de la Universidad de Iowa — el programa por el que pasaron Raymond Carver, Flannery O'Connor y casi todos los grandes escritores americanos de la posguerra. Su relato Waste, publicado en California, fue finalista del Pushcart Prize.
Nacida en Oviedo, Asturias, estudió Derecho y Relaciones Internacionales en Oviedo, Toulouse y Bruselas, especializándose en derechos humanos, antes de abandonarlo todo por la literatura. Ha enseñado escritura creativa, coescrito el manual oficial de narrativa del Instituto Cervantes, y colaborado con El País, El Mundo, Revista de Occidente, La Nouvelle Revue Française y Der Spiegel.
Ganadora del Premio del Festival Literario de Venecia junto a Ian McEwan. Primera novelista española invitada al Iowa Writers Workshop.
En Italia es reconocida como creadora del Existencialismo Mágico. En el FIL de Guadalajara fue definida como representante del Realismo Mágico Sucio. Los críticos han comparado su prosa con la de Octavio Paz y Elias Canetti.
Su nueva novela I Have to Kill Daddy está en preparación.
The most important voice in contemporary literature in Spanish.
Daniel Kehlmann
The best novel written by a Spanish writer this century.
El País
The only Spanish writer to be adopted by Germans in 30 years.
Der Spiegel
The new star in literature from the Spanish-speaking countries.
Deutschland Kultur Radio
In her writing we discover that reading is still a matter of dignity.
El Mundo
A splendid, brilliant novelist.
Fernando Marías
Eugenia Rico is one of the best things I have read.
Gioconda Belli
She writes the way José Saramago thought literature should be written.
Pilar del Río · President, José Saramago Foundation
I am fascinated by her new genre of literature, so absolutely original.
Luis Sepúlveda
Clear and precise prose, extremely modern and at the same time with classical roots. A truly impressive author.
Le Monde Diplomatique
Like Canetti and Paz, she writes against death.
El País
Great originality — narrative rhythm, concise and essential phrases, almost aphorisms.
Il Corriere della Sera
Virginia Woolf meets Daphne du Maurier
"I had to kill papa. It happened the day the huge cruise ship sank at Punta della Dogana, taking Santa Maria della Salute church, three Japanese tourists, and a thousand years of history down with it…"
A mother leaves New York with her daughter to escape some danger. She chooses Venice as a refuge and place to restart — but then the stranger appears. A parable about the ecology and future of Venice, another twist to the tragedy of Oedipus, the most disturbing vision of the myth of Snow White.
A new and different Venice: you can't see it but you feel it. Rico's language is new and timeless at the same time.
Literary novel · Spanish language · 480 pp. · English sample available
Virginia Woolf se encuentra con Daphne du Maurier
"Tuve que matar a papá. Sucedió el día en que el gran crucero se hundió en Punta della Dogana, arrastrando consigo la iglesia de Santa Maria della Salute, tres turistas japoneses y mil años de historia…"
Una madre abandona Nueva York con su hija para escapar de un peligro. Elige Venecia como refugio — pero entonces aparece el extraño. Una parábola sobre la ecología y el futuro de Venecia, una vuelta de tuerca a la tragedia de Edipo, la visión más inquietante del mito de Blancanieves.
Una Venecia nueva y diferente: no puedes verla pero puedes sentirla. El lenguaje de Rico es nuevo e intemporal al mismo tiempo.
Novela literaria · Español · 480 pp. · Muestra en inglés disponible
With Ian McEwan at the Venice International Literature Festival 2018, where both received the Premio Bauer Ca'Foscari · Photo © alamachere
Con Ian McEwan en el Festival Internacional de Literatura de Venecia 2018, donde ambos recibieron el Premio Bauer Ca'Foscari · Foto © alamachere
Gli Amanti — Italian edition published by Elliot Edizioni · "Sono un grande fan di Eugenia Rico." — Luis Sepúlveda
Gli Amanti — Edición italiana publicada por Elliot Edizioni · "Sono un grande fan di Eugenia Rico." — Luis Sepúlveda
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